Gear

Drums

photo by Jake Jacobson

Pictured is my Gretsch Broadkaster in Black Nitron:   12″ Tom / 15″ Floor Tom / 20″ USA Custom Bass Drum.

I also have Eames drums that were handmade by Joe MacSweeney (now retired), in similar sizes/configurations.

6.5" x 14" Eames Vintage E in Golden Oak

The one drum that gets swapped out the most in my world is the snare drum…depending on the music, the venue, live or studio, my mood, etc’.

A few ‘go-to’ snares include a 1970 Gretsch round-badge chrome-over-brass shell, 5×14″ / Yamaha Jimmy Chamberlin model, 5.5×14″  / Eames Vintage-E, 6.5×14″ / 1968 Ludwig Acrolite, 5×14″

Zildjian Cymbals

My first ride cymbal [back in the 6th grade] was a Zildjian – and their factory is right here in Massachusetts.  I’ve grown up with them.  There’s never been a time in my entire musical life where a Zildjian wasn’t within arm’s reach. They make the sounds that I want, and are a joy to play.  It’s that simple.  As well, I’ve always appreciated how their models are well organized into different series (A/A Custom/K/K Custom/Constantinople/Kerope, etc’).  These categories make perfect sense to me.  I don’t have to think too much when I’m chasing down an instinct and need a certain sound.

In my chameleon-esque musical world, my cymbal set-up changes depending on the type of music I’m playing (same for snare drums), and whether it’s a live gig or a studio session.  I recently had the honour of visiting the Zildjian factory, and was able to select a few absolutely gorgeous pies.  Here’s a configuration I put together that covers a wide range of musical territory:

  • 13″ A. New Beat (top) / K. (Bottom)
  • 17″ A. Thin Crash
  • 20″ Avedis Ride
  • 19″ K. Custom Special Dry Crash (or 18″ A. Pang)

Heads/Sticks:   Grateful D’Addario Artist

Evans Drumheads

For years I used standard medium-weight coated single-ply drumheads on my tom-toms, for both batter & resonant. These days I’m really enjoying the G12 coated head, which is just slightly thicker than a traditional medium.  Coated G12s provide the perfect combination of snap, resonance, and longevity.

Sometimes different types of heads (clear; double-ply, etc’) might be what is called for on a particular drum or a particular session, so I’m not inflexible.  I’ll try whatever works best for the music. I even have a set of red hydraulics ready to go!

For the bass drum batter, frequently an EQ4 Frosted is my ‘go to’ – perhaps one of the best sounding bass drumheads I’ve ever played.

The snare drum almost always gets a coated Power Center Reverse Dot, with a 300 snare-side.

Promark Sticks/Brushes/Rods…

 In-Ear Monitors

Gorilla Ears  GX Series [GX2b]